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Jan Matejko
Polish Painter, 1838-1893
He studied from 1852 to 1858 at the School of Fine Arts in Krakew and, during this time, started exhibiting historical paintings with the Society of Friends of the Fine Arts there (e.g. Sigismund I Bestowing Nobility on the Professors of the University of Krakew in 1535 (1858; Krakew, Jagiellonian U., Mus. F.A.). After studying in Munich (1859) under the history painter Hermann Anschetz (1802-80) and then briefly and less successfully in Vienna, Matejko returned to Krak?w, where he was based for the rest of his life. In 1860 Matejko issued an illustrated album, Ubiory w Polsce (later editions 1875 and 1901), a project reflecting his intense interest in historical records of all kinds and his desire to promote such interest among the Polish people in an effort to intensify their patriotic feelings. This role first became widely associated with Matejko with his painting of Stanczyk (1862; Warsaw, N. Mus.), the court jester to King Sigismund I (1437-1548), to whom Matejko gave his own features. The jester is presented as a symbol of the nation's conscience Related Paintings of Jan Matejko :. | Wladyslaw of Varna | Astronomer Copernicus, conversation with God. | Portret dzieci artysty | Alchemist Sendivogius. | Reception of the Jews A.D | Related Artists: William AndersonWilliam Anderson (1757 - 27 May 1837) was born in Scotland and became an artist specializing in maritime and patriotic themes..
Anderson's training as a shipwright stood him in good stead when he became an artist specializing in maritime art based on the Dutch 17th century Masters. He first exhibited at the Royal Academy in 1780 and continued to exhibit annually until 1811. He then exhibited intermittently until 1834. His best work was executed in the years 1790-1810, during the French Revolutionary and Napoleonic Wars, at which time the demand for naval paintings was high. He painting was not restricted to marine subjects.
His pictures, shown at exhibitions, include A View of Berwick-on-Tweed and A View of Tynemouth. His history paintings include The Battle of Waterloo, The Capture of Fort Louis, Martinique, 1794, which shows the attack by Commander Robert Faulknor of Zebra on Fort Saint Louis (Martinique), The Battle of Cape Finisterre, The First Battle of Groix and The Battle of the Nile . Other paintings include Shipping on the Thames at Deptford and View at the mouth of the Thames ..
Thomas King HannaAmetican
1872-1951
Moore, Albert JosephEnglish Classicist Painter, 1841-1893
He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.
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All the Albert Bierstadt's Oil Paintings
Supported by oil paintings and picture frames

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